SoHo · Manhattan

SoHo
Loft Space.

Tell us once what you're after — including the floors that never hit the listing sites. A person reads it. That's the whole thing.

SoHo cast-iron loft interior — columns, arched windows, high ceilings
The Brief · Start here

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That's the whole thing.

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Step 01 / 07The Brief

How much room do you need?

The Boundaries
40.7233° N · 74.0030° W
N — Houston St
S — Canal St
W — Sixth Ave
E — Crosby St
SoHo
Manhattan · NY

Houston down to Canal, Sixth Avenue across to Crosby — twenty-six blocks holding the largest collection of cast-iron architecture anywhere in the world, almost all of it originally built to store and sell dry goods.

A short history

A cast-iron warehouse district that art saved from a highway.

1850s → today

1850s

Broadway's first commercial boom

What had been farmland and then row houses becomes the city's fashionable shopping and entertainment district almost overnight. Hotels, theatres and dry goods palaces line Broadway, and the money that shows up here is the money that pays for what gets built next.

1857

The Haughwout Building

E. V. Haughwout puts up a cast-iron palace at 488 Broadway to sell china and glassware, and installs the first Otis passenger elevator in a commercial building. Both things matter enormously: cast iron let you build fast with huge windows, and the elevator made upper floors worth renting. Every loft building in this neighborhood descends from that combination.

1860s–90s

The cast-iron district

After the Civil War the dry goods and textile trades take over and the district fills in with cast-iron fronted warehouses and loft buildings — columns and arches bolted together from catalogue parts, painted to imitate stone at a fraction of the cost. Roughly 250 of them survive, which is more cast-iron architecture than anywhere else on earth.

1900s–50s

Hell's Hundred Acres

The wholesale trades move uptown and the buildings fill with small manufacturers, rag trade shops and sweatshops. Fires are frequent and the fire department starts calling the area Hell's Hundred Acres. By the 1950s the city considers the district essentially obsolete — which is exactly why nothing was modernized, and why the facades survived.

1960s

The expressway that didn't happen

Robert Moses proposes the Lower Manhattan Expressway, a ten-lane road that would have taken most of this neighborhood down. The campaign against it — Jane Jacobs among the loudest voices — kills the plan by the end of the decade. Everything you can lease here today exists because that fight was won.

1971

Artists get legalized

Artists had been living in these floors illegally for years, drawn by cheap rent, freight elevators and north light. A 1971 zoning amendment creates Joint Live-Work Quarters for Artists and the A.I.R. certification that went with it — the first time the city wrote loft living into the rules rather than raiding it.

1973

Landmarked

The Landmarks Preservation Commission designates the SoHo–Cast Iron Historic District, later extended in 2010. That designation is why the streetwall, the Belgian block and the sidewalk vault lights are all still here, and it's also why your build-out cannot touch the outside of the building without a review.

1980s → now

Galleries, then flagships

SoHo becomes the center of the art world in the eighties, then its own rents push the galleries to Chelsea and flagship retail takes the ground floors. The 2021 SoHo/NoHo rezoning added housing and loosened the old use rules. What's left in the upper floors is what this page is about: design studios, showrooms, agencies and tech offices in buildings that were never meant for offices at all.

The neighbors

Who you'd be sharing the block with.

Design & architecture
  • Architecture and interiors practices off Greene St
  • Industrial and product design studios on Wooster
  • Furniture and lighting showrooms on Broome
  • Graphic and brand studios along Crosby
Fashion & showrooms
  • Apparel showrooms on Broadway and Grand
  • Accessories and footwear brands off Spring
  • Sample and press rooms on Mercer
  • Textile and materials libraries near Howard St
Tech, media & agencies
  • Product teams in the Broadway loft floors
  • Creative agencies off West Broadway
  • Media and content studios on Lafayette
  • Coworking floors near Canal
Art & galleries
  • Remaining galleries on Wooster and Greene
  • Artist studios in legacy live-work floors
  • Print and framing shops off Grand
  • Project spaces and pop-ups along Crosby
Food & drink anchors
  • Balthazar (Spring St)
  • Restaurants and cafés along Prince
  • Bars off Thompson and Sullivan
  • Coffee on Crosby and Lafayette
Retail & the street
  • Flagship retail on Broadway, Prince and Spring
  • Independent shops on Elizabeth and Mott
  • Home and design stores on Broome
  • Belgian block, canopies and vault lights

Why bother

The best floors are gone before they're listed. Character space moves through people, not portals — so we do it the other way around. You tell us what you'd love. We keep an eye out.

Our word

You told us what you need. That's where it ends.

No newsletter, no CRM queue, no "just checking in." A person reads your brief and reaches out directly when a floor's worth showing you.

  • 01

    We never sell, share or rent your brief — not to landlords, not to other brokers, not to a data company.

  • 02

    No newsletters or mass blasts. When we get in touch, it's a direct email or text about a specific space.

  • 03

    A person reads it. Not a bot, not a queue in some CRM.

  • 04

    Tell us to stop and we stop. Simple as that.

Read

The Definitive Guide to SoHo Cast-Iron Lofts

What the facades tell you, why the floors are narrow, and how the landmark and live-work rules actually affect a lease.

Read the guide →
Nearby

SoHo not quite it?

We work the surrounding neighborhoods too. Mention it in the brief.

Tribeca warehouse loft building
Tribeca
Lower East Side loft building
Lower East Side
Chelsea loft building
Chelsea
Frequently asked

What people ask before they take a loft in SoHo.

10 questions · straight answers
01What counts as a 'creative office loft' in SoHo?
Usually a floor or part-floor in a cast-iron or masonry warehouse built between roughly 1860 and 1900. Ceilings 11 to 14 feet, arched or post-and-lintel windows across the whole front, slender iron columns on a tight grid, a freight elevator, and a plan that runs long and narrow because the lots were long and narrow. Nothing here was designed as an office, and that's precisely the appeal.
02How much does loft office space in SoHo cost?
Asking rents typically run about $60–$95 per square foot per year. The spread is unusually wide because the stock is: raw upper floors on Canal-end blocks sit at the bottom, while renovated full floors on Greene, Wooster and Broadway push the top and prime buildings go past it. Published averages for the district range from the high $50s to the low $90s depending on whose data you use, so treat any single number with suspicion and price the specific floor.
03What's the smallest space I can rent in SoHo?
Smaller than most people expect, because the lots are narrow. Single floors in a 25-foot-wide building can run 1,500 to 3,000 sq ft, and part-floors below that turn up regularly. Larger contiguous space means either a wider building or a combined lot, and there's much less of that here than in Chelsea or Hudson Square. If you need 15,000 sq ft on one floor, this is the wrong neighborhood.
04How do I get to SoHo?
Well served on all four sides. The A/C/E stops at Spring Street and Canal, the N/R/W at Prince and Canal, the 6 at Spring and Canal, the 1 at Houston and Canal, the B/D/F/M at Broadway–Lafayette and the J/Z at Canal. What you don't get is easy driving — Belgian block, constant delivery traffic and almost no parking make anything involving a vehicle harder here than it looks on a map.
05Can I run a studio or light production here?
Studios and sample-making, generally yes. Anything heavier, no. Photo and design studios, prototyping, tailoring and small assembly all fit the floors and the freight. Venting, kilns, spray booths, three-phase power at scale and a loading dock are essentially unavailable — the buildings are landmarked, the streets can't take trucks and there are residents above much of the stock. If you're making things at volume, that's a Brooklyn conversation and we cover those neighborhoods too.
06What does the historic district mean for my build-out?
Interior work is unaffected. Anything visible from the street is not: windows, storefronts, signage, awnings, and any rooftop equipment go through Landmarks review inside the SoHo–Cast Iron Historic District. Cast-iron facades get more scrutiny than masonry ones, and restoration obligations sometimes attach to a facade alteration. Budget the review time before you sign, not after.
07What's the deal with live-work and A.I.R. space here?
SoHo's loft market was legalized in 1971 as Joint Live-Work Quarters for Artists, and the 2021 SoHo/NoHo rezoning changed the rules going forward. The practical consequence for a commercial tenant is that certificates of occupancy in this neighborhood are genuinely messy — some floors are papered residential, some legacy artist, some commercial. Read the C of O for your specific floor before the LOI and don't rely on what the neighbors are doing.
08How is SoHo different from Flatiron or the Brooklyn loft districts?
More character, less capacity. SoHo gives you the best-looking building stock in the city and an address that does real work for a design or fashion brand, in narrow buildings with small floor plates, tight freight and no loading. Flatiron gives you bigger floors and better building services at a similar or slightly lower rent. Brooklyn gives you two to three times the space per dollar and the ability to actually make things. Pick based on what your day looks like, not the photos.
09What are the classic SoHo loft buildings?
The Broadway spine, where the biggest cast-iron fronts are — including the Haughwout Building at 488 and the Singer Building at 561. Greene Street between Canal and Houston has the densest run of cast iron anywhere, including the buildings people call the King and Queen of Greene Street. Then the Wooster, Mercer and Crosby blocks, the Broome Street fronts around the Gunther Building, and the wider warehouse stock down toward Grand and Howard.
10Do you actually have off-market listings?
Yes, and the reason is structural here. SoHo ownership is unusually fragmented — a lot of single-building families and small partnerships who have held since the seventies, don't advertise, and fill upper floors through the same handful of brokers they've always used. There's more genuinely unlisted space in this neighborhood than in Flatiron, which is most of why it's worth telling us what you need before you start looking.

Got one we didn't cover? Put it in the brief above, or call 646-291-2018.

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